The Selby has run a really nice story-with-few-words about Andrew Field, chef of Rockaway Taco, in Rockaway Beach, Queens – right by the beach – who loves surfing and keeps bees on his roof (we are always heartened when we discover a New York City beekeeper; it reminds us that nature is here, even in the midst of the city…”build a hive and they will come!…)
We’ve been pondering what makes Todd Selby’s work so compelling. He’s not a great photographer in the usual sense; individual photos are not terribly well-composed or exposed or beautiful. But, man, does that guy have an eye for a story, which he always manages to tell in a compelling way, with lots of photos. He makes sure to choose interesting people in their very personal spaces, honing in on the details and surroundings, so you get a sense of where this person is living and what their life is like, some of what they see when they go about their day. Like this little detail that speaks volumes: read more…
We came across this coupling of essential quotes when we were poking around John Zernings blog about Garden Trellises and Architectural Space Frames.
“Applied to architecture and structure, the former is primarily an aesthetic position; the latter is a principle of economy.” wrote Zerning. We find both immensely useful, and made a sign to remind us…”
You might wonder how we ever came across Zerning’s site in the first place, living in the city as we do, with no garden, or even a terrace. We were following the trail of some images that have been flying around the blogs, of a beautiful architecture of wires… read more…
When we read that Centre Pompidou in Paris was offering a Cardboard Carton Workshop, we wanted to beam ourselves there, a la Star Trek, to see what more we could add to our overflowing file and minds about this wonderfully versatile material. We were stunned by a photo of an archway made of cardboard sheets combined in layers and compressed; it flies in the face of the usual ways of building with cardboard, of using the flat sides as walls. It is the work of Tadashi Kawamata who is known for the spare structures he builds out of humble materials – pine boards, cardboard, packing materials, chairs – in unlikely places. They seem impromptu (though they take a great deal of work and planning), and speak of temporariness and informality; they somehow question the spaces and structures we take for granted. Now wonder his workshop has lines around the block.
When we saw pictures of Kawamata’s art at the Pompidou’s site, we realized we had seen his work before and had a vivid unattributed memory of it: of beautiful, odd, slapped together-looking nests and houses perched high up in the ancient tress of Madison Square Park, in the center of New York City. They made us LOOK with wonder and, for a moment, imagine ourselves hiding out in one of them but we never stopped to find out who had made them. Now we know, and are inspired by a central theme of Kawamata’s art: read more…
A picture of a chair made out of orange-and-white-striped wooden safety barriers that we saw on The Selby led us to discovering Tom Sachs. He’s an artist who makes elaborate recreations of modern icons: masterpieces of engineering and design of one kind or another, from Knoll office furniture to Prada to NASA (like this hilarious video). The all-seams-showing recreations are made out of ordinary stuff like phone books and Foamcoare welded together with duct tape or a glue gun. As it is clear from The Selby’s pictures of Sach’s living/studio space, the work of this imaginative inventor/artist holds ideas for our own more modest creations…
Although we don’t know what it says, we’re crazy about Sach’s bedspread, and the idea of writing on our own…
We are so happy to have discovered Serendipity Rising, architect Daniel Hale’s blog that is mostly about the evolution of his home in Napa Valley, which seems to be a sort of laboratory for his ideas. The guy loves soft metals like zinc and lead which he cuts and hammers in unusual ways; he transforms salvaged woods and ‘finds’ by applying modern lines and layers of techniques into an eclectic take, like this incredible flight of stairs: “I layered black over brown and ran a strip of lead sheeting up the middle”. What he does to his own house is freer than the “client” work we’ve seen, as he follows his ideas for his own pleasure. “Tickle” is a recent post – a sort of poem-story (edited here) – about his violent and fearless transformation of an old piano, which had been left in the winery he turned into his studio: read more…
When we wrote about clipped-together cardboard box shelving a while back, we mentioned wanting to paint the cardboard boxes – coat them with something to change their look (we were thinking rubber paint) – knowing that the cardboard would swell slightly and become….something else: not smooth but sculptural, possibly even stronger once it had dried. After a few comments to the effect of: “bad idea…YOU CAN”T paint cardboard”, we put the idea aside. Then we saw Andrea Zittel’s wonderful cardboard construction, with its cryptic blurb:
“For the last year there has been a teetering pile of cardboard boxes precariously stacked against the dining room wall. Today the masterpiece was finished and installed…. Walla!”
Look at that!!! we thought as we sailed from one website to another discovering Andrea Zittel. FOR YEARS she has been following her imaginings and exploring ways to define and organize space, question assumptions about it, experiment with new ways and systems for living.
Zittel’s not-quite-finished website is all about her work as a – WHAT? -, an installation artist-designer-sculptor-lifestyle thinker and investigator… She is the driving force behind A-Z West,”an institute of investigative living”read more…
Knowing that Lydia Wills was about to move to a bigger apartment, we enlisted Ellen Silverman to photograph her 600-square-foot studio near Gramercy Park. We’ve known Lydia for years and have watched her apartment evolve into a home with lots of good ideas, far too many to cover in one post. So we thought we’d do the broad strokes now and then focus on specifics during the next few weeks. The real story of Lydia’s apartment is that it slowly evolved, as Lydia did, growing out of one thing and into another, as she discovered furniture, fabrics and lighting that resonated with her life.
Lydia has been sewing since she was young and loves natural textiles, which she used to define the space (often incorporating unusual and vintage fabrics). Over years, she discovered and fell in love with the work of Scandinavian and European Modernist designers. She bought some enduring, beautifully designed pieces of furniture and lighting (mostly on Ebay, for a fraction of their cost), like the leather chair by Yngve Ekstrom, the fantastic table by Bengt Gullberg and the chandelier by Eric Hoglund.
Since there is nothing more gratifying than seeing before-and-after photos, we’ll start with a picture of what this apartment looked like BEFORE, when someone else had it: read more…
Sometimes there’s no way around keeping a piece of furniture in your place that you’re not crazy about; you either need it (like a file cabinet or storage chest) or you can’t get rid of it just yet (you’re keeping it for the next place). Here’s an example of using a great fabric to hide a piece of furniture, from the fabulous house designed by the great Mexican architect Luis Barrigan that we blogged last week. Laying fabric upon wonderful fabric on the table and folding the corners in neatly makes it look interesting and intentional, rather than like a disguise (though we don’t imagine Barrigan is disguising anything in that house.)
We think, the example from Lonny Magazine, below, works pretty well, though it transmits subtle inklings of “disguise”. We think it would have been much more complete with another piece of fabric, or a runner (even placed front to back) draped over it, a la Barrigan.
We never would imagined how beautiful and NON-kids room pink walls could be until we saw pictures of a house designed by the great Mexican architet Luis Barrigan in 1947. Pink upon pink balanced by yellow, wood, dark floors….read more…
Pascal Anson sussed out kitchen cabinets and discovered that cabinet makers earn their serious money from the doors, which cost much more than the base cabinets. So he bought base cabinets from IKEA and then bought a mish-mash of doors that had been marked way down. Easy and cheap. There’s a caveat though:
“The rule with this kind of thing is…if you’re going to use a mix of doors, make sure it is a REAL mix and looks really really wrong, not just a little bit wrong.”
We love the idea of REALLY REALLY WRONG as design concept…when you push dissonance to cool…
We also love that Anson’s little video wakes your head up to the way kitchen cabinets work: read more…
We’ve got a wonderful office to rent in London Terrace Gardens and would love it if you’d help us spread the word: 330 square feet with a big window looking north onto a little garden and brownstones …kitchenette…big bath.
London Terrace Gardens is a legendary apartment complex built in the 1920′s that spans a full block in Chelsea: a full-service building with 24 hour doormen and access, concierge services (with daily UPS and FedEx pickup) and maintenance staff. Storage room available.
It’s one half block from the High Line, and near galleries, restaurants, Chelsea Market, Chelsea Piers, 192 Books and the Meat Packing District. Post office and parking garage on the block; subways nearby.
For more info or photos, send an email to info@theimprovisedlife.com
The Known Universe is an amazing video that takes you from the Himalayas to the far reaches of space, to experience the afterglow of Big Bang, constellations, planets, quasars, the Milky Way, our solar system, and more…
It is compiled from the Digital Universe Atlas, a four-dimensional map of the universe maintained by the American Museum of Natural History, so it is all astronomically accurate. It is mind-expanding and beautiful, especially viewed full-screen.
It is one of the treasures I’ve found during the past year on kottke.org, one of my favorite blogs. I stop by daily to see what Jason Kottke has found, and although I may pass several posts by, just scanning the titles opens my view until I hit BIG with the likes of The Known Universe.
I stumbled on an archived post on Automatism of some pictures of jewelry designer Ted Muehling‘s New York City apartment. Blogger Lori had reprinted an article on Muehling’s apartment that she’d saved for years, from Maison Francaise in the late 1990′s. The place looks as appealing today as it did then (THAT’S style). In response, a woman named Joanna wrote “SO beautiful. i’m downloading these for the inspiration journal… xo”.
The Inspiration Journal. It reminded me of folders I’ve often kept of clippings from magazines: of spaces I liked, or ideas I wanted to pursue. Seeing pictures can help you bring to life your own ideas, as you take the gist, or a kernel, or a detail and run with it. Nowadays, it can be done digitally of course, and kept on a computer or printed out. An Inspiration Journal is a much better way of framing things than a “bookmark”. read more…
Philip Besonen was a remarkable man who most people hadn’t heard of until he wrote a piece for the New York Times about the mokki he built in his back yard. A mokki (rhymes with hokey) is a small unassuming cottage much beloved in Finland, where Philip had roots. “Mokkis …were invariably off by themselves near lakes or trees, in settings where you could find peace. The feeling of serenity was the most striking thing about them.” wrote Philip.
He’d wanted to build a mokki because he was about to retire and couldn’t bear the idea of not having an office, and because during his entire life of living in a large family (first as a child, then as a married man with children), he craved privacy: a place of his own.
Knowing that this wouldn’t go over too well with his wife who opposed “frivolous” expenditures, Phil had to use stealth in building his mokki. read more…
Remodelista posted some terrific pictures of my friends Suzanne Shaker and Pete Dandridge’s perfect summer house on Shelter Island, 2 hours from New York City. Suzanne, an interior designer and stylist, and Pete, an art conservator, worked with Deborah Burke & Partners Architects to build the 1250 square foot from-scratch house. It seems incredibly spacious, due in part to large glass doors and picture windows (one whole side of the house) that bring in the surrounding woods and nature, and a 20-foot dining/living/kitchen area. Ample storage keeps the minimalist house from looking cluttered.
What Remodelista doesn’t mention is that the house was made on a strict budget – less than half of what a house in this part of the world would normally cost. Every design decision was meant to be both beautiful and practical, if not always easy; the budget demanded that Suzanne and Pete give up some ideas they’d seen as essential, and become more resourceful in finding solutions. They went with inexpensive materials in many places, to spend more on others. read more…
