We were looking for a little gift to leave on the blog this last day of summer and thought The Wilderness Downtown would be just right…It is one of the very best things we’ve seen on the internet: crazy beautiful, imaginative, really surprising and moving…
…click here, have patience while it loads, and watch to the end…
Wishing you a wonderful Labor Day!
Improv Everywhere is devoted to “causing scenes of chaos and joy in public places”. Over the years, they have invited anyone-who-wants-to to participate in their missions which have included Cell-Phone Symphonies to No Pants Subway Rides. In the latest, they instructed their agents to appear at Coney Island dressed in tuxedos and ball gowns bought at thrift stores or other cheap venues.
“We covered a mile-long stretch of beach with a diverse group of people of all ages (from babies to sixty-somethings) laying out, playing games, and swimming in the ocean, all in formal wear.”
We find this video curiously liberating to watch. (It totally changes the look and vibe of black tie in the best, most unexpected way possible..).
What strange delight!
via BoingBoing
Related post: Improvising at the Beach
The Selby has run a really nice story-with-few-words about Andrew Field, chef of Rockaway Taco, in Rockaway Beach, Queens – right by the beach – who loves surfing and keeps bees on his roof (we are always heartened when we discover a New York City beekeeper; it reminds us that nature is here, even in the midst of the city…”build a hive and they will come!…)
We’ve been pondering what makes Todd Selby’s work so compelling. He’s not a great photographer in the usual sense; individual photos are not terribly well-composed or exposed or beautiful. But, man, does that guy have an eye for a story, which he always manages to tell in a compelling way, with lots of photos. He makes sure to choose interesting people in their very personal spaces, honing in on the details and surroundings, so you get a sense of where this person is living and what their life is like, some of what they see when they go about their day. Like this little detail that speaks volumes: read more…
We came across this coupling of essential quotes when we were poking around John Zernings blog about Garden Trellises and Architectural Space Frames.
“Applied to architecture and structure, the former is primarily an aesthetic position; the latter is a principle of economy.” wrote Zerning. We find both immensely useful, and made a sign to remind us…”
You might wonder how we ever came across Zerning’s site in the first place, living in the city as we do, with no garden, or even a terrace. We were following the trail of some images that have been flying around the blogs, of a beautiful architecture of wires… read more…
One of our favorite early posts was about Andre Michelle’s visual music synthesizer, ToneMatrix which allows you to instantly improvise your own music by selecting any of the small boxes on the grid on his website. We have turned to it many times when we wanted a diversion to shift our mood or view, or to take our focus off an irritating noise. Now, we’re smitten with Michelle’s newest iteration on his make-your-own-music theme: Pulsate.
Click the black square in two are more places to generate pulsating circles and sound. Just four or five clicks make for a relaxing, meditative riff…click lots of circles within circles for elaborate (and energetic) composition.
Part of its beauty is how ephemeral it is; it’s music for the moment.
Whatever you do will be a surprise, and a shift.
via Kottke
Related post: Make Your Own Music
A picture of a chair made out of orange-and-white-striped wooden safety barriers that we saw on The Selby led us to discovering Tom Sachs. He’s an artist who makes elaborate recreations of modern icons: masterpieces of engineering and design of one kind or another, from Knoll office furniture to Prada to NASA (like this hilarious video). The all-seams-showing recreations are made out of ordinary stuff like phone books and Foamcoare welded together with duct tape or a glue gun. As it is clear from The Selby’s pictures of Sach’s living/studio space, the work of this imaginative inventor/artist holds ideas for our own more modest creations…
Although we don’t know what it says, we’re crazy about Sach’s bedspread, and the idea of writing on our own…
….not to mention the wonderful chair… read more…
While we were writing about Andrea Zittel the other night, we stumbled on a post from her blog called “Still Working on the Kitchen Table“.
The photo shows one of her half-done billboard paintings on the kitchen table, in a living space that is clearly in action, work and living woven together. Even though Zittel could try discipline herself to work in her studio – a shipping container fifty feet from the house – she doesn’t. She works where it feels best, and things happens organically…
“When I was twenty and studying art in undergrad, I house sat for my parents one summer and built my entire senior show in their kitchen. I remember the feeling or horror one day when cutting out a shape with the jigsaw and accidentally making a slice into the tabletop that my mother had hand stained when I was an infant. Three decades later and I’m still making most of my work in the kitchen…”
We wonder how many BIG THINGS in the world were figured out at the kitchen table?
(In the background, you can also see the cardboard shelving we were so taken with…stuff beginning to be stored in it.)
Related post: Andrea Zittel: Investigative Living
We love David Galbraith’s post about his search for EXACTLY where the World Wide Web got started. He spoke to visionary computer scientist Tim Berners-Lee who wrote the original proposal and early coding for “the global hypertext product that would allow people to work together by combining their knowledge in a web of hypertext document”. If you enlarge the photo, above, you’ll see a tiny notation scribbled at the top of the proposal: “Vague but exciting”. That was in 1989, over twenty years ago.
It all took place in ordinary-looking surroundings at CERN, the European Particle Physics Laboratory in Geneva. What’s curious and strangely charming is Berners Lee’s acute memory of the color of the linoleum on each floor of the building, which was not so ordinary after all… read more…
Recently at You Have Been Here Sometime, we found two really great posts (among a lot of good stuff): The first: a post called A Possible Yellow with two paintings and and interior that use various yellows: POSSIBLE yellows to consider for …where? ….a room?….a sign?….a dress…the side of a building….? We love the idea of collecting POSSIBLE colors, ideas, patterns… for use… somewhere.
The other was an excerpt of a letter from the artist Eva Hesse to Sol Lewitt (part of the wonderful Joshua Abelow, Interview pt. 2:
“From your description, and from what I know of your previous work and you [sic] ability; the work you are doing sounds very good “Drawing-clean-clear but crazy like machines, larger and bolder… real nonsense.” That sounds fine, wonderful – real nonsense. Do more. More nonsensical, more crazy, more machines, more breasts, penises, cunts, whatever – make them abound with nonsense.
“Try and tickle something inside you, your “weird humor. You belong in the most secret part of you. Don’t worry about cool, make your own uncool. Make your own, your own world. If you fear, make it work for you – draw & paint your fear and anxiety. And stop worrying about big, deep things such as “to decide on a purpose and way of life, a consistant [sic] approach to even some impossible end or even an imagined end”
You must practice being stupid, dumb, unthinking, empty. Then you will be able to DO!”
…There’s some advice to follow!
Pamela Hovland alerted us to a wonderful essay posted on Design Observer recently, called The Subtle Technology of Indian Artisanship; it is about how “everywhere you look in India you will find evidence of the maker’s hand.” A sign painter, faced with a drain opening smack in the middle of his underwear ad, transformed it into a “navel”. The bucket of a massive backhoe (below) is embellished with a welded pattern of metal strips, a bit of beauty in a most unlikely place. Ken Botnick and Ira Raja explore the ways these kinds of embellishments are ”a means of celebrating life” in India; they also explore what it means to be “a maker” – anywhere.
…”on India’s streets, the act of making functional things — cups, chairs, signs, books — is creativity at its most direct expression; meeting a need. Embellishing that object, making it special, requires that the maker take time with the thing to ask more questions, not only about its function, but also about the person who will use it, and about how to distinguish that object from the universe of things that surround it. Embellishing… simultaneously makes the object more reflective of the maker’s distinct personality and brings it into the shared cultural values of beauty and function. Embellishment delights because it surprises. It is found in completely unsuspecting places, like the bucket of a backhoe. It takes ordinariness and celebrates it as if to say, “Hah! You didn’t find this beautiful, this lump of dung, but here it is and it is beautiful.”
We loved learning things you can do with saris that we never imagined, which made us see them in a new way, like this fence made of saris… read more…
A couple of years ago (when ‘the improvised life’ was just an idea), we stumbled on this picture of Tobias Wong‘s file cabinet bed in Reference Library, and bookmarked it, thinking we’d write a post about it someday. It is such a great, direct idea, with many possibilities for implementing in different ways. But we didn’t think then to follow the little link below the photo, to Wong’s website, brokenoff.com where we would have seen just what a gifted designer and conceptual artist he was. We discovered this in the saddest way possible: reading in the New York Times of Wong’s recent death at thirty-five.
Wong’s work was very much about mocking the pretensions of “great design” in thoughtful, clever, often angry ways. He famously hacked – and mocked – the work of other designers – to their outrage – for his creations. He coined the word “paraconceptual” to describe his work. “When I do pull a prank, it’s my means of sending out a conceptual idea. It’s not just laughing at them.” Although he didn’t like being called a designer, all of his work had the grace and harmony of good design, while pushing you to think or experience things in a new way, like his Stoop Installation: read more…
‘the improvised life’ needs a tagline on its HomePage so newcomers who jump onto the site with no introduction can get the gist quickly, and find their way more easily. We’ve been mulling possibilities for a while now and ask for your help in figuring out which of the phrases below describes the site best. OR send us your ideas and words for the best way to convey what’s going on here, in a flash…It would be placed below the title, where the Manifesto is now…
…resourcefulness as a daily practice…
…inspire your own creative ideas…
We invite you to scroll back through the archives, or the selection below, as you mull ‘the improvised life’ and see if a great tagline comes to mind.
You have a unique view. We need your help!
D-I-Y Pallet Chair (And Stool and Lamp)
Duct Tape and Phone Book Dress
50 Dangerous Things Your Kid (and You) Should Do
A Modernist Island Retreat (On a Budget)
What Unkempt or Messy or Shabby Can Mean
Essential Chocolate Cake for Improvising (Recipe)
Strategy: Cool (un)Plywood Storage Cabinets
Leaving Secret (or Surprise) Presents
…and don’t forget the Surprise Box!
…
We never would imagined how beautiful and NON-kids room pink walls could be until we saw pictures of a house designed by the great Mexican architet Luis Barrigan in 1947. Pink upon pink balanced by yellow, wood, dark floors….
read more…
Alastair Heseltine is a Canadian artist who makes art and objects by interweaving wood (he especially loves willow). We were knocked out by his woodpile and by his artist’s statement; we don’t know when we’ve seen one that said so much in so few words:
“I am a sculptor working with mixed media relating to the environment. Imagery is guided by the inherent nature of material and by construction systems evolved through mindful observation and play. I also draw from the full spectrum of routines and activities that support my practice: Design, craft production, farming and rural life.” read more…
