We were looking for a little gift to leave on the blog this last day of summer and thought The Wilderness Downtown would be just right…It is one of the very best things we’ve seen on the internet: crazy beautiful, imaginative, really surprising and moving…
…click here, have patience while it loads, and watch to the end…
Wishing you a wonderful Labor Day!
The Selby has run a really nice story-with-few-words about Andrew Field, chef of Rockaway Taco, in Rockaway Beach, Queens – right by the beach – who loves surfing and keeps bees on his roof (we are always heartened when we discover a New York City beekeeper; it reminds us that nature is here, even in the midst of the city…”build a hive and they will come!…)
We’ve been pondering what makes Todd Selby’s work so compelling. He’s not a great photographer in the usual sense; individual photos are not terribly well-composed or exposed or beautiful. But, man, does that guy have an eye for a story, which he always manages to tell in a compelling way, with lots of photos. He makes sure to choose interesting people in their very personal spaces, honing in on the details and surroundings, so you get a sense of where this person is living and what their life is like, some of what they see when they go about their day. Like this little detail that speaks volumes: read more…
A few weeks ago, we wrote about the artist Tom Sachs, whose amazing studio was featured in The Selby. When Todd Selby asked Sachs “What are the ten rules of your studio?” Number Ten was: “creativity is the enemy”. It is also the subject of an artwork Sachs created. Then, a reader wrote us an email that said: “I’d love follow up on why ‘creativity is the enemy’”. Good idea.
We figure the answer lies partly in the title of Sach’s artwork-sign:”Self-Fullfilling Prophecies”…It seems to warn of the danger of trying TOO hard, of being self-consciously creative and arty, rather than just…being…Maybe creativity is the enemy because it threatens the status quo, takes energy, takes us into various kinds of chaos and unknowing. Whew…We didn’t realize how Sach’s sign would make us think!
While we were mulling, we stumbled on New Liberal Arts, a free “book full of ideas” masterminded by Snarkmarket‘s Tim Carmody, and a collaboration of many. Aaron MCleran,”Generative Media Artist” wrote a section about Creativity, which we thought was SWELL even though we weren’t sure what “generative”* means. We’ve excerpted it here (underscores, ours):
“…creativity should be studied as a kind of martial art. You should train to be a ninja of creativity. read more…
One of our favorite books about improvising is Free Play: Improvisation in Life and Art
“…Sometimes we damn the limits, but without them art is not possible. They provide us with something to work with and against. In practicing our craft we surrender, to a great extent, to letting the materials dictate the design…”
Among the many jacket quotes praising the book is one by Keith Jarrett, the jazz pianist known for his astonishing improvisational work the Koln Concert
“You are called to an important meeting, the subject of which you are not told. It is of utmost importance that you ‘Be Yourself’. The meeting starts immediately and your clothes are in the laundry and you have no time to wash up or shave. Is this a ‘serious’ situation? Then so is improvisation…”
And that is what The Koln Concert was. In the video, Jarrett describes the impossible circumstances that made for a stunning creation.
That’s what Free Play is about.
We view them as an essential part of our toolBox.
(You can listen to samples of The Koln Concert, and/or buy it as an MP3, here
Half awake this morning, a quote on O’Reilly Radar caught our eye: “Harness the power of being an idiot”. That’s for US, for sure!
So we followed the link to PeteSearch, the blog of Pete Warden. He is a programmer, software engineer (including years at Apple), graphics researcher and serious technology guy (he’s developed an interesting search module for Firefox). He tells the story of running into someone he went to school with at a conference, and remembering his abysmal academic career:
“I learn by trying to build something, there’s no other way I can discover the devils-in-the-details. Unfortunately that’s an incredibly inefficient way to gain knowledge. I basically wander around stepping on every rake in the grass, while the A Students memorize someone else’s route and carefully pick their way across the lawn without incident. My only saving graces are that every now and again I discover a better path, and faced with a completely new lawn I have an instinct for where the rakes are… my successes have all come when I’ve just gone ahead and just did something instead of studying it. It’s the only way to discover something new and unexpected, and even the failures build judgment.”
Boy, do we relate to Warden’s unkempt “try it and see” approach, falling into brambles, getting lost, then found. We love his declaration of POWER inherent in mistakes, which, invariably teach us a lot and often point to an unexpected path.
We find something incredibly compelling about Marjin Van der Poll‘s Do hit chair: hammering a chair out of a metal cube with all one’s strength, testing it out, and then pounding and hammering and testing over and over until it takes shape. The cube is smashed full force with a hammer, until it becomes… something else, a solution.
“Do hit… is an interpretation of a chair by Italian designer Enzo Mari, the ‘sof-sof chair’. Its complex looking frame to me seemed a result of good craftsmanship but as it turned out it was one of the first examples of spot welding in the furniture industry. This contradiction between craftsmanship and mass production became the concept for the chair. Do hit started as a small copper model which I beat into a tiny chair with the pointed part of a hobby hammer. The cube would be easy to produce industrially and would be moulded into a chair using a hammer. Repetition of the beating only strengthened the concept…
The Do hit can either be shaped by its owner or by me. I have shaped many Do hits and look for an expressive object with large folds which I then polish to make them stand out. Each Do hit therefore is different as I can only create the global shape of seat and backrest and have to react to the detailed form taken on by the metal as it is being shaped. This is a great challenge every time.”
Of course, we followed the trail back to Enzo’s Mari inspiring chair, designed in 1971 read more…
While we were writing about Andrea Zittel the other night, we stumbled on a post from her blog called “Still Working on the Kitchen Table“.
The photo shows one of her half-done billboard paintings on the kitchen table, in a living space that is clearly in action, work and living woven together. Even though Zittel could try discipline herself to work in her studio – a shipping container fifty feet from the house – she doesn’t. She works where it feels best, and things happens organically…
“When I was twenty and studying art in undergrad, I house sat for my parents one summer and built my entire senior show in their kitchen. I remember the feeling or horror one day when cutting out a shape with the jigsaw and accidentally making a slice into the tabletop that my mother had hand stained when I was an infant. Three decades later and I’m still making most of my work in the kitchen…”
We wonder how many BIG THINGS in the world were figured out at the kitchen table?
(In the background, you can also see the cardboard shelving we were so taken with…stuff beginning to be stored in it.)
Related post: Andrea Zittel: Investigative Living
Joaquin Baldwin‘s beautiful little animated film is a reminder of how the creative process often works – in completely unexpected ways. We also love Baldwin’s story about how the film came to be:
“This film was inspired while driving back from a trip to Palm Springs, when my partner said that it must take them forever to plant and grow so many windmills. I wrote down the title The Windmill Farmer for an idea to explore later, and about a year later I started developing it into a character and story. This film took 4 months to complete from the first boards until the final mix.”
You never know where a simple idea might lead…
(Watching with the sound off is a completely different experience, which we recommend.)
Via BoingBoing
We were trying to figure out what to bring back from a trip to a place we loved, something that would be able to remind us in a FLASH what it was like. Pamela Hovland suggested we bring back a jar full of its beautiful air, so we did, capturing it in a small canning jar. Back at home, we find that jar hold holds more than the air; it seems to hold the very place in our hearts. read more…
LOL: the real world!
…a little balance for that Keep Calm and Carry On sign that’s everywhere…
Whew!
We love David Galbraith’s post about his search for EXACTLY where the World Wide Web got started. He spoke to visionary computer scientist Tim Berners-Lee who wrote the original proposal and early coding for “the global hypertext product that would allow people to work together by combining their knowledge in a web of hypertext document”. If you enlarge the photo, above, you’ll see a tiny notation scribbled at the top of the proposal: “Vague but exciting”. That was in 1989, over twenty years ago.
It all took place in ordinary-looking surroundings at CERN, the European Particle Physics Laboratory in Geneva. What’s curious and strangely charming is Berners Lee’s acute memory of the color of the linoleum on each floor of the building, which was not so ordinary after all… read more…
When we wrote about clipped-together cardboard box shelving a while back, we mentioned wanting to paint the cardboard boxes – coat them with something to change their look (we were thinking rubber paint) – knowing that the cardboard would swell slightly and become….something else: not smooth but sculptural, possibly even stronger once it had dried. After a few comments to the effect of: “bad idea…YOU CAN”T paint cardboard”, we put the idea aside. Then we saw Andrea Zittel’s wonderful cardboard construction, with its cryptic blurb:
“For the last year there has been a teetering pile of cardboard boxes precariously stacked against the dining room wall. Today the masterpiece was finished and installed…. Walla!”
Look at that!!! we thought as we sailed from one website to another discovering Andrea Zittel. FOR YEARS she has been following her imaginings and exploring ways to define and organize space, question assumptions about it, experiment with new ways and systems for living.
Zittel’s not-quite-finished website is all about her work as a – WHAT? -, an installation artist-designer-sculptor-lifestyle thinker and investigator… She is the driving force behind A-Z West,”an institute of investigative living” read more…
Since we posted The Oil Spill: What You Can Do, we’ve seen lots of websites offering solutions that echo a common sentiment: whether we like it or not, we are all in this together; the risky actions of oil companies are fueled by demand, which we all contribute to. That reminded J.P. Townley of the World War II strategy of conservation in a time of crisis, when EVERYONE had to pitch in, cut back, live with less. Posters asked “Is your trip necessary? Needless travel interferes with the war effort.” “Is your trip necessary” applies now more than ever, so Townley designed an updated poster..
We view “Is your trip necessary” as code words for an even bigger question: read more…
Knowing that Lydia Wills was about to move to a bigger apartment, we enlisted Ellen Silverman to photograph her 600-square-foot studio near Gramercy Park. We’ve known Lydia for years and have watched her apartment evolve into a home with lots of good ideas, far too many to cover in one post. So we thought we’d do the broad strokes now and then focus on specifics during the next few weeks. The real story of Lydia’s apartment is that it slowly evolved, as Lydia did, growing out of one thing and into another, as she discovered furniture, fabrics and lighting that resonated with her life.
Lydia has been sewing since she was young and loves natural textiles, which she used to define the space (often incorporating unusual and vintage fabrics). Over years, she discovered and fell in love with the work of Scandinavian and European Modernist designers. She bought some enduring, beautifully designed pieces of furniture and lighting (mostly on Ebay, for a fraction of their cost), like the leather chair by Yngve Ekstrom, the fantastic table by Bengt Gullberg and the chandelier by Eric Hoglund.
Since there is nothing more gratifying than seeing before-and-after photos, we’ll start with a picture of what this apartment looked like BEFORE, when someone else had it: read more…
